“Everyday Revolutions“: a portrait of Ágnes Heller.
“The effect, and surely the aim, of the 9/11 Museum is to make visitors experience what it was like to be there at the time. It places them in a situation where, like the participants, they only know that something supremely awful is happening, but where they do not know why it is happening, or what is to come.” Ross Poole on 9/11 Memorials.
“Gangster-type radicalized fundamentalism demonstrates a radical phase of nihilism, perhaps more radical than ever, looming below the ‘clash of religions’.” Julia Kristeva on Radical Evil.
“For the hundreds of thousands of ordinary working-class boys and girls in England in the early 1970s, including me, Bowie incarnated something glamorous, enticing, exciting and mysterious: a world of unknown pleasures and sparkling intelligence. He offered an escape route from the suburban hellholes that we inhabited. Bowie spoke most eloquently to the disaffected, to those who didn’t feel right in their skin, the socially awkward, the alienated. He spoke to the weirdos, the freaks, the outsiders and drew us in to an extraordinary intimacy, although we knew this was total fantasy. But make no mistake, this was a love story.” Simon Critchley on David Bowie.